Busy participants walk with Jo Bell, Canal Laureate, along the Shropshire Union Canal, Chester.
I’m a Facebook fan…. I check in several times a day to see what chums are up to, poetry chums in the main. Yesterday, for example, Facebook was full of Heaney poems posted by sad poets mourning his loss. Facebook, used wisely, is a good thing. Not, perhaps, an opinion shared by all of you. However…
Our Stanza webpage could be as informative as Facebook and less of a hot potato. All we need do (and I’m including myself in this good-talking-to) is check in every day, make comments when moved to, and keep each other informed of poetic thoughts, words and deeds.
That’s all. For now. The now that is 09.09 31 August 2013.
Some time ago we spent a wonderful stanza evening discussing the poetry of Seamus Heaney. Here’s a couple of favourite poems brought by members that evening:
The annals say: when the monks of Clonmacnoise
Were all at prayers inside the oratory
A ship appeared above them in the air.
The anchor dragged along behind so deep
It hooked itself into the altar rails
And then, as the big hull rocked to a standstill,
A crewman shinned and grappled down the rope
And struggled to release it. But in vain.
‘This man can’t bear our life here and will drown,’
The abbot said, ‘unless we help him.’ So
They did, the freed ship sailed, and the man climbed back
Out of the marvellous as he had known it.
The Rain Stick
Up-end the stick and what happens next
Is a music that you never would have known
To listen for. In a cactus stalk
Downpour, sluice-rush, spillage and backwash
Come flowing through. You stand there like a pipe
Being played by water, you shake it again lightly
And diminuendo runs through all its scales
Like a gutter stopping trickling. And now here comes
A sprinkle of drops out of the freshened leaves,
Then subtle little wets off grass and daisies;
The glitter-drizzle, almost-breaths of air.
Up-end the stick again. What happens next
Is undiminished for having happened once,
Twice, ten, and thousand times before.
Who cares if all the music that transpires
Is the fall of grit or dry seeds through a cactus?
You are like a rich man entering heaven
Through the ear of a raindrop. Listen now again.
Lovely blog by Jo Bell honouring Seamus Heaney… just click on the link on the right hand side of this page.
Our next meeting will take place at 7.00pm on Monday 9 September 2013 in the Haydn Rees Room, Clwyd Theatr Cymru. It will begin with our AGM and be followed by a read&feedback session. Please bring c.15 copies of a poem that you’d like to have critiqued.
You will find a copy of the AGM agenda on the Members’ page.
I have added the capability for you to eMail other stanza members or the whole group. Look in the help page to find out how.
You can send an email to selected members or to all members of the stanza. Simply login using your username and password and you will see an envelope icon on the left of the page. Click on it and choose one of the options. Then follow your nose. Get in touch if you have problems.
Our next meeting will be held on Monday 12 August at 7.30pm in the Haydn Rees Room, Clwyd Theatr Cymru.
It will be a read-and-feedback evening, but this time the poems won’t be submitted anonymously. Please bring c.15 copies of the poem you’d like to air… it will be especially useful for poets who are participating in the poetry/music collaboration – Diana, who will be composing the music, will be able to hear the poet’s work in his/her own voice.
However, the evening isn’t restricted to those poets/poems, it is for everyone who’d like useful comments on their work.
For newer members, the rules are a little different from the anonymous sessions (but not much). A few guidelines are detailed on the Workshop page.
The purpose of giving feedback is to provide constructive criticism to enable the poet to produce a final draft. Making sure that feedback is constructive not only benefits another poet but also helps us to become more thoughtful readers. Treating other people’s work with the respect we’d like our own to receive is always a good starting point for making the feedback workshop a constructive exercise.
Things to consider:
– What do you like about this poem?
– Describe parts of poem that work really well. (Consider imagery, originality, rhythm, title, language use)
– Technical matters – have you any advice re. line lengths, stanza/line breaks, suitability of form, consistency etc?
– Are there any areas that are a little unclear, or could be tightened up?